DO NOT DETONATE Without Presidential Approval: A Portfolio on the Subjects of Mid-century Cinema, the Broadway Stage and the American West

Writings on people and places, theater and film, in a portfolio of essays and photographs informing Wes Anderson's film Asteroid City. Featuring 8 newly commissioned pieces alongside more than 20 classic essays from the likes of Fran�ois Truffaut and Jonas Mekas, DO NOT DETONATE explores key influences on celebrated director Wes Anderson's new film Asteroid City. Together they form a detailed, captivating portrait of the mid-century film world and the enduring myths of the American West. Contents: A Conversation Between Wes Anderson and Jake Perlin A Life excerpt - Elia Kazan The Celluloid Brassi�re - Andy Logan Rainy Day - Lillian Ross The Outskirts: Other Men's Women - Gina Telaroli The Petrified Forest - Jorge Luis Borges Ace in the Hole: Noir in Broad Daylight - Molly Haskell What Makes a Sad Heart Sing: Some Came Running - Michael Koresky One False Start, Never Wear the Same Dress Twice - Durga Chew-Bose Maigret at the Coroner's excerpt - Georges Simenon Sunbelt Noir: Desert Fury - Imogen Sara Smith The Voyage Down and Out: Inferno - Kent Jones Bad Day Near The River's Edge - Nicolas Saada Watching Fail Safe at the End of the World - K. Austin Collins Black Desert, White Desert - Serge Toubiana Marilyn Monroe and the Loveless World - Jonas Mekas Beyond the Stars - Jeremy Bernstein Coming: Nashville - Pauline Kael Coming Around the Mountain: Close Encounters of the Third Kind - Matt Zoller Seitz Selections from Close Encounters of the Third Kind Diary - Bob Balaban Introduction to Small Change: A Film Novel - Fran�ois Truffaut By The Time I Get to Phoenix - Thora Siemsen My Guy - Hilton Als Wild to the Wild - Sam Shepard