Painting Now

Product Description Painting is a continually expanding and evolving form of creative expression whose ongoing relevance is here convincingly asserted by renowned critic and art historian Suzanne Hudson. Her book offers an original survey of contemporary work – a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time. The introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that offer a wideranging thematic analysis of the field, addressing such ideas as appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself. Review 'An ambitious study and a great achievement … Suzanne Hudson’s text is a vital argument for the importance of painting, and she explores the manner in which the vast field can be reapproached, challenged and reimagined with great alacrity … 'Painting Now' makes a valuable contribution to commentary on the visual arts and culture in the present' - Studio International'Hudson makes an eloquent and erudite survey of artistic practice today - essential reading for anyone interested in a deeper understanding of today’s art world' - Leisure Painter'Essential reading for scholars, art lovers, gallery owners, critics and curators' - Class Magazine, Italy Book Description A passionate assertion of the relevance of painting today, exploring how this traditional medium has been re-approached and reimagined by artists working across the globe From the Back Cover ?Painting is a continually expanding and evolving form of creative expression whose ongoing relevance is here convincingly asserted by renowned critic and art historian Suzanne Hudson. Her book offers an original survey of contemporary work a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time. The introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that offer a wideranging thematic analysis of the field, addressing such ideas as appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself. About the Author Suzanne Hudson is Assistant Professor of Modern and Contemporary Art, University of Southern California. Her writing appears in various art historical journals, and she is the author of three other books.