Constable: A Portrait

Review A biography as rich with colourful characters as any novel . . . As a biographer, Hamilton is a patient, perceptive portraitist, attuned to every swerve in the currents of Constable's life . . . Hamilton captures particularly vividly the timbre of relationships and the textures of Constable's day-to-day life, making you wonder whether "Constable: A Novel" might have been a truer title . . . On a coach back to London from Suffolk in his 50s, [Constable] drew a fellow passenger's attention to Dedham Vale: "Is this not beautiful?" "Yes Sir," came the answer, "this is Constable's country." "I am John Constable," he replied. Unless you're inspired to retrace Hamilton's steps through the hundreds of letters and journal entries on which he has drawn to such rich, multi-vocal effect, Constable: A Portrait will bring you as close as is probably possible to understanding what those four words meant ― Sunday Telegraph The lively art historian James Hamilton reveals the "complex, troubled man" in this biography of the landscape painter John Constable ― The Times, Best books coming out in 2022 An eye-opening biography . . This life of the celebrated landscape painter is full of surprises . . . James Hamilton is rightly famed for his biographies of J M W Turner and Thomas Gainsborough . . . the most fascinating pages in Hamilton's book come from his close scrutiny of Constable's canvases . . . its magnificent colour plates lift it on to another plane. They track Constable's career from the early portraits to exciting sky effects like the tempestuous Rainstorm over the Sea, painted in Brighton. Such illustrations make Constable: A Portrait a treasure -- John Carey ― Sunday Times One of the many merits of James Hamilton's estimable biography of the painter is to show Constable's long struggle towards acceptance and his insistence, against the evidence, that "there is room enough for a natural painture" . . . As the biographer of Gainsborough and Turner, Hamilton is a practised hand when it comes to 18th- and 19th-century British art, and it shows. He moves deftly between Constable's personal and professional life and the network of relations and patrons that kept him afloat, and he is just as attuned to the radical aspects of Constable's art. In his pictures, as Hamilton shows, nature does not stand decorously stand still but becomes a pulsating, living entity. -- Michael Prodger ― New Statesman Absorbing . . . [Hamilton has made] judicious use of Constable's extensive correspondence and other writings, drawing deeply on these rich resources to bring the artist's own words into the heart of his book. Hamilton is particularly illuminating on Constable's early life . . Hamilton brings this period to life . . . Hamilton's young Constable is avid for intellectual companionship and conversation about books, painting and poetry . . . Hamilton is an astute judge of his subject's complex character . . . Constable may be a challenging subject, but Hamilton's deft use of his compelling voice keeps the narrative moving -- Susan Owens ― Literary Review [A] major new biography . . . Hamilton seeks here to unpick the over-worn view of Constable as the proto-French plein air Impressionist landscapist and furnishes an elegant portrait of the man, and of his times . . . The outcome is the first full-scale biography . . . Hamilton deftly depicts a mind that evolves out of the drab discipline of his early portraiture and the continuous copying of old masters . . . Hamilton presents, however, not an intellectual rebel, but a man of staunch political rectitude . . . it boasts the sophisticated highly keyed handling of a variegated interwoven cast of characters. There are 124 in all, and he traces their interactions and interconnectedness. The story is written in an often racy narrative and is made up of 47 short, dense and well-footnoted chapters, almost filmic in pace. ― Catholic Herald This beautiful biography captures its subject's enchanting, cl