{"product_id":"ocean-of-sound-ambient-sound-and-radical-listening-in-the-age-of-communication-serpents-tail-classics","title":"Ocean of Sound: Ambient sound and radical listening in the age of communication (Serpent's Tail Classics)","description":"Review\n\nThis history of ambient music, starting with Debussy, is a minor masterpiece (Observer '50 greatest music books ever')\u003cbr\u003e\u003cbr\u003eAn encyclopaedic work, uncommonly knowledgeable and wide in its scope ... a rare and subversive read (DJ Magazine)\u003cbr\u003e\u003cbr\u003eA masterfully innovative and radical work (Melody Maker)\u003cbr\u003e\u003cbr\u003eA scintillating and illuminating read (Mojo)\u003cbr\u003e\u003cbr\u003eBuy it, read it and let it remix your head (i-D)\u003cbr\u003e\u003cbr\u003eA ground-breaking history of ambient music (Independent)\u003cbr\u003e\u003cbr\u003ePartly a mediation on the development of modern music, but there's no single term that is adequate to describe what Toop has accomplished here ... mixing interviews, criticism, history, and memory, Toop moves seamlessly between sounds, styles, genres, and eras, using listening as a tool in a search for a deeper understanding (Pitchfork's '60 Favourite Music Books') --(Pitchfork's '60 Favourite Music Books')\n\nOcean of Sound's parallels aren't music books at all, but rather Italo Calvino's Invisible Cities, William Gibson's Neuromancer ... Ocean of Sound is as alien as the 20th century, as utterly now as the 21st (Wired) --(Wired)\n\nOcean of Sound has gained a fervent cult audience ... the best music-related book of the 90s (Chicago Reader) --(Chicago Reader)\n\nProduct Description\n\nDavid Toop's extraordinary work of sonic history travels from the rainforests of Amazonas to the megalopolis of Tokyo via the work of artists as diverse as Brian Eno, Sun Ra, Erik Satie, Kate Bush, Kraftwerk and Brian Wilson.\nBeginning in 1889 at the Paris exposition when Debussy first heard Javanese music performed, Ocean of Sound channels the competing instincts of 20th century music into an exhilarating, path-breaking account of ambient sound.\n'A meditation on the development of modern music, there's no single term that is adequate to describe what Toop has accomplished here ... mixing interviews, criticism, history, and memory, Toop moves seamlessly between sounds, styles, genres, and eras' Pitchfork's '60 Favourite Music Books'\n\nBook Description\n\nThe classic account of ambient music, with a new foreword by Michel Faber\n\nAbout the Author\n\nDavid Toop is an English musician, author and professor of audio culture and improvisation at the London College of Communication. He was a member of the Flying Lizards and a contributor to the British magazine The Face. He is a regular contributor to The Wire, has recorded Yanomami shamanism in Amazonas, appeared on Top of the Pops, exhibited sound installations in Tokyo, Beijing and London's National Gallery, and performed with artists ranging from John Zorn, Evan Parker, Bob Cobbing and Ivor Cutler to Akio Suzuki, Elaine Mitchener, Lore Lixenberg and Max Eastley. He has published five books, including Ocean of Sound, and released eight solo albums.","brand":"Serpent's Tail","offers":[{"title":"Default Title","offer_id":40444426584149,"sku":"9781788160308N","price":6.59,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2481\/5790\/products\/7ae76e39-ea5c-415d-ba6b-8e6b381f7928.jpg?v=1670414390","url":"https:\/\/smeikalbooks.co.uk\/products\/ocean-of-sound-ambient-sound-and-radical-listening-in-the-age-of-communication-serpents-tail-classics","provider":"smeikalbooks","version":"1.0","type":"link"}